The Italian (2005), directed by Andrei Kravchuk Turtles Can Fly (2004), directed by Bahman Ghobadi Nobody Knows (2004), directed by Hirokazu Kore-eda It All Starts Today (1999), directed by Bertrand TavernierĪbouna (2002), directed by Mahamat-Saleh Haroun The Apple (1998), directed by Samira Makhmalbaf Ratcatcher (1999), directed by Lynne Ramsay The Color of Paradise (1999), Majid Majidi The Mirror (1997), directed by Jafar Panahi The Children of Heaven (1997), directed by Majid Majidi The White Balloon (1995), directed by Jafar Panahi

The Abadanis (1993), directed by Kianoush Ayari Yaaba (1989), directed by Idrissa Ouédraogo Come to Life (1989), directed by Vitali Kanevsky Salaam Bombay! (1988), directed by Mira Nairįreeze.

Where Is the Friend’s House? (1987), directed by Abbas Kiarostami When Father Was Away on Business (1985), directed by Emir Kusturica Sugar Cane Alley (1983), directed by Euzhan PalcyĪ Summer at Grandpa’s (1984), directed by Hou Hsiao-Hsien God’s Gift (1982), directed by Gaston Kaboré The Case Is Closed (1982), directed by Mrinal Sen Little Ida (1981), directed by Laila Mikkelsen Pixote (1981), directed by Hector Babenco Muddy River (1981), directed by Kobei Oguri Hoa-Binh (1970), directed by Raoul Coutard Naked Childhood (1968), directed by Maurice Pialat Hugo and Josephine (1967), directed by Kjell Grede Ivan’s Childhood (1962), directed by Andrei Tarkovskyīarren Lives (1963), directed by Nelson Pereira Dos Santos Sundays and Cybèle (1962), directed by Serge Bourguignon

Pather Panchali (1955), directed by Satyajit Ray Los Olvidados (1950), directed by Luis Buñuelįorbidden Games (1952), directed by René Clément Somewhere in Europe (1948), directed by Géza von Radványi This essay reconsiders not only Pather Panchali in the context of Satyajit Ray’s film oeuvre, but also Ray’s entire oeuvre itself in the context of global as well as Indian cinema.įilmography: Key Films of Postwar Global Neorealism Featuring Children Ray received many major awards during his career, including thirty-two Indian National Film Awards, a Golden Lion (Venice Film Festival), a Golden Bear (Berlin Film Festival), two Silver Bears (Berlin Film Festival), and an Honorary Academy Award in 1992. This film, along with Aparajito (1956) and The World of Apu (1959), forms The Apu Trilogy. His first motion picture, Pather Panchali (1955), won eleven international prizes, including the inaugural Best Human Document award at the 1956 Cannes Festival. Ray directed thirty-six films, including features, documentaries, and shorts.

He was additionally a fiction writer, publisher, illustrator, calligrapher, and movie critic. Widely regarded as one of the greatest filmmakers of the twentieth century, the Indian Satyajit Ray (1921–92) was also a screenwriter, graphic artist, and music composer.

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